Saturday, December 26, 2009

Of Words and Silences

He felt impelled to talk. His thoughts followed a labyrinthine path, confusion marring even the crystal clear parts of his mind. He was bad at articulating although people told him all the time that he was a great speaker. He wondered why.

Outside the room, in one corner where the lighter rays of the evening sun filtered in, a twenty- something man sat eating his food, facing a blank wall against which an almost empty bottle of water stood supported.

He felt oddly privileged- not something he experienced very often. The injustices of life were being dug up involuntarily with the urgency of having to ebb smarting tears. He knew he could not do anything to help.

He stepped out of the room, carefully squeezing through the gap between the satin sofa and the man eating his food. At a sub-conscious level, it suddenly occurred to him that he was supposed to meet Rana at the club. He hated to admit it but gradually even Rana was becoming an excuse for a frosty glass of Kingfisher beer.

Could he go up to the man and talk perhaps?

The man having finished his food was fiddling with his yellowing lungi as he irritatedly wiped beads of sweat off his temples. Not just while doing household chores but also when eating, he was never sweat-free. Sometimes the overwhelming saltiness reminded of the sea. Only the sea was so much more welcoming.

He felt thankful that at least his Malyalam could not be interpreted in the house. He clung to the language with a sense of fervor while at the same time being thrilled by a sense of voyeurism at being able to decode the language in the house. He made his long distance calls once a week to his wife and daughter back in Kolaadi when often the tearful goodbyes would leave him momentarily angered, in angst and yearning. He loved words. He missed them too.

But he was a man and he let it die. The vegetable vendor who came over once a week but talked on the phone thrice a week was in worse plight. His wife at home was ill.

He felt a fleeting sense of sadistic pleasure. Ignorance is bliss.

However, the weekly not-so-clandestine phone calls and the weekly clandestine meetings with the vegetable vendor did aggravate the desire to talk.

The Thakur Po at home seemed fairly kind. Often he could locate in him a sense of sympathy or even empathy perhaps. But they did not talk.

Down the street was the betel shop run by Mahato. The man went there to buy beedis. He went there to buy Marlboro Lights. At different times. Sometimes the man was allowed to buy the cigarettes and at times allowed to keep the change.

The religiosity of smoking took on an all-new sanctity for both men who though on the surface led dissimilar lives, deposited their ashes in the same river.

Mahato and his betel shop had acquired an all-new meaning.

Untitled

Pockets of colour,

Dancing in the dark

Like splattered paint.

Red saris clinging,

Eyes devoid of sleep

With arms wide open.

Temporary paper boats and flowers

Traversing unknown lands

On a voyage to somewhere.

Neon lights in stark darkness,

Lighting up a familiar nothingness…

Together in utopian land.

The fragrance of rain;

Pockets of colour

Dancing in the dark.

Wednesday, March 11, 2009

HIGHLY RECOMMENDED

For some people, almost an unbelievably ludicrous blue octopus while for some others (and I belong to this category), easily the most affectionate and warm person, ever deserving to be raised above the hierarchy of animals.

It is rather uncanny that for a person who usually hates cartoons of every kind, the first episode of ‘Oswald’ would have drawn my attention. I loved his easygoing nature (something that I admit I don’t relate to anymore) , the spontaneous generosity, and the alacrity with which he helps others. No doubt it has some definite utopian elements- there’s never a shortage of silver coins in ‘Big City’ and every episode ends with the restoration of order. I account for this by categorizing it under the realm of ‘Fantasy’ which by definition is the genre of escape; mind you, not escapism.

One of the best things about the character of Oswald is the fact that he does not seem to let go of his childlike ways- important things that we somehow seem to shrug off as we grow older. The question that arises then is that- Is Oswald an adult?

I would say he is. I think he is empowered with the faculty of rationality, one of the main premises for why I believe he is an adult. Even the world that he inhabits, the world that comprises characters like the Sunflower, Daisy, the fastidious Penguin, Henry or even his pet Winnie are all miniature adult figures.

While some may think that Oswald’s mannerisms are painfully exaggerated, for instance, his constant ”my pleasure” or even opening and closing doors for people (which might have been borrowed from the chivalric code of conduct) I do believe it’s something that adults and children can both learn much from. The creator unabashedly showcases his characters as aware, polite and clean (24x7) to probably drill in his viewers a moral conscience. Oswald must look around exactly three times before he crosses the road, Winnie must have a bath everyday, and favourites must never fluctuate- always, “one ‘swizzleberry swirl’ please….or cocoa with ‘three marshmallows- no less, no more’.

Even if the part about the didacticism of the show puts you off, I do think that no one can help but appreciate his ingenuity. It is not an unjust portrayal- characters are not forced to behave in a certain way, they genuinely feel for each other, and even more importantly it is how they ARE. It makes one want to reach their level- one wishes he could make a birdhouse for helpless birds, bake a cake that sinks into the water and NOT complain about it or even feed worms that eat up tomatoes planted by you. The show also reiterates in all its episodes the dominant theme of ‘good always triumphs’. If Oswald privileges others over himself it is still him who gets the best in the end. For example- one of my favourite episodes, ‘The Sammy Starfish Show’ highlights Oswald’s good nature (that is to be euphemistic) as he saves a place for his friends in the queue to buy tickets for the Sammy Starfish show. Eventually while his turn comes, the tickets are predictably sold out. Oswald is torn and upset. Even then, he helps out a ‘bunny’ take a heavy piano onto the stage and what happens? He ends up sharing the stage with his favourite Sammy by accompanying him on the piano (yay!).

However viewers may find another element in the show highly utopian and also unreal. Some of the episodes seem to negate the idea of competition. In ‘The Go-Kart Race’ Oswald’s morality is again privileged over the participants’ potential. Oswald ultimately wins the race not necessarily because of his skilled driving but also because he helps out competitors during the race. ‘The sand sculpture contest’ again shows Oswald’s inability to choose a clear winner lest he hurt the feelings of people. Such inadequacies though noticeable are only negligible in the face of the strengths I have mentioned earlier (and here, I allow my readers to be critical of me).

Although I don’t wish to be a creature with eight feet and blue in colour, I do wish for a heart as large as Oswald’s.

Note- The author highly recommends the show.

(Author-Rashi Tiwary)